{"id":1649,"date":"2025-04-16T12:58:05","date_gmt":"2025-04-16T12:58:05","guid":{"rendered":"https:\/\/concilio.velstudio.it\/?p=1649"},"modified":"2025-04-16T12:58:06","modified_gmt":"2025-04-16T12:58:06","slug":"borghi-of-italy","status":"publish","type":"post","link":"https:\/\/concilioeuropeodellarte.org\/en\/progetti\/exhibitions\/borghi-of-italy\/","title":{"rendered":"Borghi of Italy"},"content":{"rendered":"\n<p><strong>Curators:<\/strong>\u00a0Marco Pretelli, Paolo Faccio, Anna Saetta, Marco Savoia<br><br>On the occasion of the\u00a0<strong>16th International Architcture Exhibition \u2013 La Biennale di Venezia<\/strong>\u00a0the\u00a0<strong>Concilio Europeo dell\u2019Arte<\/strong>\u00a0presents in his historic seat\u00a0<strong>InParadiso Art Gallery<\/strong>\u00a0its original project dedicated to the\u00a0<strong>revitalization of the\u00a0<em>Italian villages<\/em>\u00a0\u2013 Borghi of Italy<\/strong>.<br><br>The theme of the exhibition, in line with the\u00a0<em>Freespace<\/em>\u00a0manifesto of the curators, is the prevention and\u00a0<strong>anti \u2013 seismic security<\/strong>\u00a0in a long period with regards to Italy\u2019s monumental and historic patrimony. The Concilio Europeo dell\u2019Arte thought about a space free of the fear of the earthquake, considering that sometimes we forgot that, throughout the safeguarding and the security of the territory, it is possibile to combat the phenomena of abandonmen and demoraphic decline. The main objective of the\u00a0<strong>\u201cBORGHI of ITALY \u2013 #NO(F)EARTHQUAKE\u201d<\/strong>\u00a0exhibition is to raise\u00a0<strong>public<\/strong>\u00a0<strong>awareness<\/strong>\u00a0about the theme of\u00a0<strong>\u201ckeeping safe\u201d<\/strong>\u00a0and prevent the\u00a0<em>borghi<\/em>\u00a0of Italy, considering also the case of\u00a0<strong>five italian villages<\/strong>\u00a0affected by seismic events since 1976:\u00a0<strong>Venzone, San Felice Sul Panaro, Amatrice, Civita di Bagnoregio and Auletta<\/strong>.<br><br>The project deals also with the great theme of\u00a0<strong>\u201cresilience\u201d<\/strong>: it is not possible to secure places and their possible reconstruction, but it is necessary to stimulate the restart of all the activities in the territory. In this context, the CEA \u2013 Concilio Europeo dell\u2019Arte promotes \u201c<strong>BorgoAlive!<\/strong>\u201c, an original initiative which shows to the public the\u00a0<em>Best Practices<\/em>\u00a0for a\u00a0<strong>sustainable revitalization<\/strong>\u00a0of a village and its surrounding territory.<br><br>The exhibition will schedule a cycle of\u00a0<strong>6 days of conferences<\/strong>, symposia and public debates which will take place in September, October and November. The\u00a0<strong>Concilio Europeo dell\u2019Arte<\/strong>\u00a0and the conceptual artist\u00a0<strong>Marco Guglielmi<\/strong>\u00a0translate the theme of \u201cBORGHI of ITALY\u201d in a\u00a0<strong>site \u2013 specific artwork<\/strong>\u00a0inside the InParadiso Art Gallery.<br><br>To stay updated with all the informations about the exhibition:\u00a0<a href=\"https:\/\/www.borghiofitaly.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.borghiofitaly.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>#NO(f)earthquake<\/p>\n","protected":false},"author":3,"featured_media":1609,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-1649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"acf":[],"_links":{"self":[{"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/posts\/1649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/comments?post=1649"}],"version-history":[{"count":1,"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/posts\/1649\/revisions"}],"predecessor-version":[{"id":1650,"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/posts\/1649\/revisions\/1650"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/media\/1609"}],"wp:attachment":[{"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/media?parent=1649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/categories?post=1649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/concilioeuropeodellarte.org\/en\/wp-json\/wp\/v2\/tags?post=1649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}